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Edit Well Newsletter, Volume 2, Issue 2

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Edit Well Newsletter, Volume 2, Issue 2

Book

  • Sorry, this book is no longer in print.
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Description

  • Copyright 2008
  • Edition: 1st
  • Book
  • ISBN-10: 0-321-53438-7
  • ISBN-13: 978-0-321-53438-5

Edit Well is the first rich-media newsletter for Final Cut Studio created for pros like you!

Brought to you by Peachpit in collaboration with author and Apple-Certified Trainer Larry Jordan, Edit Well is an authoritative, in-depth resource for Final Cut Studio users.

Edit Well  brings you:

  • Video tutorials to help you maximize your Final Cut Studio skills
  • Audio interviews with Apple product managers, Final Cut Studio editors, and other industry leaders
  • In-depth guidance and tips for the intermediate and advanced user
  • Original cutting-edge articles written by Final Cut Studio experts
  • A chance to interact with the experts through reader polls, online feedback forums, and reader mail
  • Timely, insider information that can be found nowhere else!


Download a free issue or subscribe today to 12 monthly issues.

Sample Content

Table of Contents

Features

  • Sound Advice: Mixing in Soundtrack Pro 2, by Stephen Kanter
  • Final Cut in Europe: Workflow Tips From Editors in Ireland, by Victoria Parks-Murphy
  • LiveType: Making the Shadows Dance, by Larry Jordan
  • Transitions: Beyond the Straight Cut, by Kevin Monahan
  • Color: Primary Curves are a Long and Winding Road, by Alexis Van Hurkman

Departments

  • Editor's Notes
  • About Our Contributors
  • Exclusive Edit Well Profile: Daniel Molina talks about the importance of story-telling, even in music videos.
  • Bonus Audio Profile: Discover Final Cut's internation impact in this interview with the founders of the Dublin, Ireland Final Cut Pro User Group.
  • Video Tutorial: Use LiveType to animate shadows
  • Exclusive Edit Well Profile: Learn how Ed Kaufholz edits Masters golf tournaments on the road with Final Cut Pro.
  • Keyboard Shortcuts: Soundtrack Pro 2

Sidebars

  • Recording Automation for Effects
  • Pre- or Post- Fader Sends
  • Using a Transition as a Compositing Tool

Updates

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