Edit Well Newsletter, Volume 2, Issue 7

Description

Edit Well is the first rich-media newsletter for Final Cut Studio created for pros like you!

Brought to you by Peachpit in collaboration with author and Apple-Certified Trainer Larry Jordan, Edit Well is an authoritative, in-depth resource for Final Cut Studio users.

Edit Well  brings you:

• Video tutorials to help you maximize your Final Cut Studio skills
• Audio interviews with Apple product managers, Final Cut Studio editors, and other industry leaders
• In-depth guidance and tips for the intermediate and advanced user
• Original cutting-edge articles written by Final Cut Studio experts
• A chance to interact with the experts through reader polls, online feedback forums, and reader mail
• Timely, insider information that can be found nowhere else!

Download a free issue or subscribe today to 12 monthly issues.

Sample Content

Table of Contents

Features
• Getting Media into Final Cut Pro, by Kevin Shea
• Ten Ways to Keep Your Sound Crew Happy, by Justin Webster
• Down-converting HDV for a Standard-Def DVD, by Larry Jordan
• Motion 3D: Animating Cameras in 3D Space, by Mark Spencer
• Secondary Corrections in Color Using the HSL Qualification Controls, by Alexis Van Hurkman

Departments
• Editor's Notes
• About Our Contributors
• Keyboard Shortcuts: Compressor 3
• Exclusive Interview: Richard Townhill, director of ProVideo product marketing for Apple, discusses when editor should use ProRes 422.
• Video Tutorial: Larry Jordan shows how you can compress HDV for the web using Compressor 3.
• Bonus Video Tutorial: Mark Spencer illustrates Motion 3D techniques.
• Exclusive Audio Profile: Tom Dukich discusses using Final Cut in his multimedia and video art.
• Exclusive Audio Profile: Claes Jonasson uses FCP for live, simultaneous recording and playback for religious services each week.
• Video Tutorial: Mark Spencer illustrates how to move in Motion's 3D space, as well as how to position the camera.
• Exclusive Audio Profile: Jonathan Eric Tyrrell describes his experience using FCP on a feature film.

Sidebars
• Re-conforming Software
• Method to the Madness
• HSL Qualifiers vs. Vignettes

Updates

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