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Even if you’ve never created any sort of video or animation, it’s easy to apply motion effects to InDesign elements. Learn how in this excerpt from Digital Publishing with Adobe InDesign CC: Moving Beyond Print to Digital.
Diane Burns and Sandee Cohen, authors of Digital Publishing with Adobe InDesign CC, answer interview questions for designers about moving from print to digital format and layout.
Although InDesign is not a full-fledged drawing program such as Adobe Illustrator, you can use InDesign’s tools to create a wide variety of effects by distorting, moving, resizing, duplicating, and aligning objects. Sandee Cohen shows you how in this excerpt from InDesign CC: Visual QuickStart Guide (2014 release).
In this lesson from Adobe InDesign CC Classroom in a Book (2014 release), you’ll work on a pair of spreads that make up a four-page newsletter. You’ll add text and images and make several modifications to the objects on the two spreads.
Each month we will select one User Group that has been exceptional in their communication with meeting updates, giveaway requests and book reviews and ask them to share some insights and tips with us. This week, we turn the spotlight on New York InDesign User Group as our UG of the Month!
When Adobe® InDesign® CS3 was released a few years back, included among its new features was an enhanced set of special effects. If you haven’t had a chance to explore these special effects and add them to your bag of InDesign tricks, you owe it to yourself to take a look. This tip will focus on using the Bevel And Emboss effect to create three-dimensional typographic elements, but there are eight other effects—each with its own set of controls—that you can apply to text, frames, pictures … pretty much anything. Although many of these effects are available in Photoshop and Illustrator, the option to apply them to InDesign objects can save time and reduce file-management overhead.
Sometimes when laying out an Adobe® InDesign® page, you may want to remove the background of an imported image—perhaps so you can wrap text around a shape as in Figure 1. Creating a clipping path in Photoshop is often the best solution because its selection tools make it easy to isolate and remove even complex backgrounds. However, because the graphic element (the dancing pair) in Figure 1 is much darker than the background (the surrounding white area), you can easily remove the background using the Clipping Path feature in InDesign. In addition to removing white and light backgrounds, you can also use the Clipping Path feature to remove black backgrounds and backgrounds that are significantly darker than the graphic element they surround.
Since the dawn of page layout software in the mid-1980s, layout artists have been forced to create two text frames for stories that span multiple columns: a one-column text frame that spans multiple columns for the headline and a multicolumn text frame for the body text. Adobe® InDesign® CS5 makes it a whole lot easier to lay out pages with multicolumn stories by providing the option to extend paragraphs across the gutters of multicolumn text frames. It’s a killer feature with an intuitive UI that will save many users considerable time.