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Adobe Photoshop

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Setting Up Color Space in Adobe Photoshop CS5
Dec 16, 2010
In this excerpt from The Adobe Photoshop CS5 Book for Digital Photographers, Scott Kelby you how and why to either change your color space to Adobe RGB (1998) if you’re shooting in JPEG or TIFF, which is better for printing those images, or ProPhoto RGB if you shoot in RAW or work with Photohsop Lightroom.
The Adobe Photoshop CS5 Book for Digital Photographers: Choosing the Right Process Version
Dec 16, 2010
If you have RAW images you edited in earlier versions of Camera Raw, and you open them in CS5, you’ll have a choice to make. In this excerpt from The Adobe Photoshop CS5 Book for Digital Photographers, Scott Kelby shows you how to choose the right process version.
The Adobe Photoshop CS5 Book for Digital Photographers: The Other Secret to Getting Pro-Quality Prints that Match Your Screen
Dec 16, 2010
Most inkjet paper manufacturers now create custom profiles for their papers, and you can usually download them free from their websites. Does this really make that big a difference? Ask any pro. In this excerpt from The Adobe Photoshop CS5 Book for Digital Photographers, Scott Kelby shows you how to find and install these profiles.
Adobe Photoshop Lightroom 3 for Digital Photographers: Folders and Why I Don't Mess with Them
Dec 15, 2010
In this excerpt from a The Adobe Photoshop Lightroom 3 Book for Digital Photographers, Scott Kelby briefly explains folders and shows one instance where you might use them.
Animating a 3D Layer in Adobe Photoshop CS5
Dec 15, 2010
This excerpt from Adobe Photoshop CS5 Classroom in a Book shows you how to animate a 3D postcard.
Creating a Web Gallery in Adobe Photoshop CS5
Dec 15, 2010
This excerpt from Adobe Photoshop CS5 Classroom in a Book shows you how to showcase your images in an online gallery, so that visitors can view individual images or a slide show of your work.
Creating Slices in Adobe Photoshop CS5
Dec 15, 2010
This excerpt from Adobe Photoshop CS5 Classroom in a Book shows you how to create slices, turn them into buttons, and then program those buttons to make the web page work.
Finding Photos Fast in Adobe Photoshop Lightroom 3
Dec 15, 2010
Now that you've given your photos names that make sense when you imported them, and you applied a few keywords to help make searching easier, you can put your hands on exactly the photo (or photos) you need, in just seconds. In this excerpt from a The Adobe Photoshop Lightroom 3 Book for Digital Photographers, Scott Kelby shows you how.
Real World Photoshop CS5 for Photographers: The Save for Web and Devices Dialog
Dec 15, 2010
This excerpt from Real World Adobe Photoshop CS5 for Photographers shows you how to use the Save for Web & Devices feature.
Resolution and Image Size in Adobe Photoshop CS5
Dec 15, 2010
This excerpt from Adobe Photoshop CS5 Classroom in a Book discusses the differences between image resolution, monitor resolution, and output resolution.
Saving Your Photos as JPEGs in Adobe Photoshop Lightroom 3
Dec 15, 2010
In Lightroom, you don’t save a file as a JPEG, you export it as a JPEG (or a TIFF, or a DNG, or a Photoshop PSD). In this excerpt from a The Adobe Photoshop Lightroom 3 Book for Digital Photographers, Scott Kelby shows you this simple process, as well as the automation features Lightroom has added that can kick in once your photo is exported.
Adding a Watermark to Your Images in Adobe Photoshop Lightroom 3
Dec 14, 2010
One way to help limit unauthorized use of your images is to put a visible watermark on them. Beyond protecting your images, many photographers are using a visible watermark as branding and marketing for their studio. Here’s how to set yours up.
Creating a 3D Shape from a Layer in Adobe Photoshop CS5
Dec 14, 2010
This excerpt from Adobe Photoshop CS5 Classroom in a Book shows you how to create a 3D hat using a layer that contains the image of a brick wall.
Fixing Backlit Photos in Adobe Photoshop Lightroom 3
Dec 14, 2010
In this excerpt from a The Adobe Photoshop Lightroom 3 Book for Digital Photographers, Scott Kelby shows you how to use the Fill Light slider, found in the Basic panel, which does the best job of fixing backlit photos.
Manipulating 3D Objects in Adobe Photoshop CS5
Dec 14, 2010
This excerpt from Adobe Photoshop CS5 Classroom in a Book shows you how to use several basic tools that make it easy to rotate, resize, and position 3D objects.
Real World Adobe Photoshop CS5 for Photographers: Assign Profile and Convert to Profile
Dec 14, 2010
This excerpt from Real World Adobe Photoshop CS5 for Photographers shows you how to apply profiles and color conversions using the Assign Profile and Convert to Profile commands on the Edit menu.
Real World Adobe Photoshop CS5 for Photographers: Using History to Mix Adjustments
Dec 14, 2010
When you use the History Brush together with edits such as filters or blending modes, you can apply effects that are very similar to those you can achieve with layers and masks. Conrad Chavez explains how.
Real World Photoshop CS5 for Photographers: About Smart Objects
Dec 14, 2010
This excerpt from Real World Adobe Photoshop CS5 for Photographers shows you how to work with the Smart Object layer, which is a layer you can transform (moving, scaling, warping, skewing, and so on) while maintaining all of its original quality and resolution.
Real World Photoshop CS5 for Photographers: Using the Masks Panel
Dec 14, 2010
This excerpt from Real World Adobe Photoshop CS5 for Photographers shows you how to use the Masks panel, including pixel masks and vector masks.
Shooting Tethered in Adobe Photoshop Lightroom 3
Dec 14, 2010
In this excerpt from a The Adobe Photoshop Lightroom 3 Book for Digital Photographers, Scott Kelby shows you how to shoot directly from your camera into Lightroom.

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