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Why Adobe Soundbooth Users Fall in Love with Audition
By Maxim Jago
Aug 17, 2011
Maxim Jago, author of Introducing Adobe Audition CS5.5: Learn by Video, salutes the features Soundbooth brought to video editors and beckons you to discover the power and elegance Audition now brings to Adobe Creative Suite 5.5. He compares the two tools and shares his joy as an Audition user.
An Editor's Guide to Adobe Premiere Pro: Importing Media
By Richard Harrington, Robbie Carman, Jeff I. Greenberg
Jul 12, 2011
In this chapter, you'll learn about importing files and the effect it will have on your system. You'll also learn how to bring in audio and even how to record your own narration tracks.
iMovie Beyond the Basics
By Jeff Carlson
Jun 21, 2011
iMovie includes many tools for dealing with special situations, as well as for improving what you've already shot. Jeff Carlson shows you how to use them.
Nuke 101: Color Correction
By Ron Ganbar
May 25, 2011
Whatever reason you have for color correcting an image, the color correction will work according to the way Nuke handles color. Nuke is a very advanced system that uses cutting-edge technology and theory to work with color. It is important to understand Nuke's approach to color to understand color correcting within Nuke.
Final Cut Pro for Avid Editors: Speed and Motion Effects
By Diana Weynand
Mar 29, 2011
By using a hybrid approach to building composites, you will learn how to scale, position, crop, distort an image’s perspective, and even set keyframes, all directly on the sequence clip in the Canvas.
Final Cut Pro for Avid Editors: Trimming Clips
By Diana Weynand
Mar 9, 2011
Diana Weynand covers the basic Avid approach to trimming and shows how to perform those same functions in Final Cut Pro.
Q&A with Alexis Van Hurkman
By Peachpit Press, Alexis Van Hurkman
Feb 28, 2011
Peachpit interviews writer, director, visual effects artist, and colorist Alexis Van Hurkman about his new book, Color Correction Handbook: Professional Techniques for Video and Cinema, the skills you need to become a successful colorist, why color is so important in video and cinema, and developments and resources in the world of color correction.
Apple Pro Training Series: Motion 4 Quick-Reference Guide: Particles and Replicators
By Jem Schofield, Brendan Boykin
Dec 13, 2010
The authors of Apple Pro Training Series: Motion 4 Quick-Reference Guide show you how to use the particle and replicator engines in Motion.
Authoring DVDs with Adobe Encore CS5
By Adobe Creative Team
Dec 12, 2010
This excerpt from Adobe Premiere Pro CS5 Classroom in a Book shows you how to create professional-looking DVDs on your computer in minutes.
Exporting Frames, Clips, and Sequences in Adobe Premiere Pro CS5
By Adobe Creative Team
Dec 12, 2010
This excerpt from Adobe Premiere Pro CS5 Classroom in a Book shows you all of your export options in Adobe Premiere Pro CS5.
Using Photoshop and After Effects to Enhance Your Video Projects
By Adobe Creative Team
Dec 12, 2010
This excerpt from Adobe Premiere Pro CS5 Classroom in a Book explores the unique integration between Adobe Premiere Pro, Photoshop and After Effects for powerful and timesaving techniques.
Applying Specialized Editing Tools in Adobe Premiere Pro CS5
By Adobe Creative Team
Dec 11, 2010
This excerpt from Adobe Premiere Pro CS5 Classroom in a Book shows you how to use Rolling Edit, Slide, Slip, Lift and Extract to simplify certain tasks.
Creating Cuts-only Videos in Adobe Premiere Pro CS5
By Adobe Creative Team
Dec 11, 2010
This excerpt from Adobe Premiere Pro CS5 Classroom in a Book shows you how to use the Trim panel, the Ripple Edit tool, and move clips on the Timeline using the Source Monitor or keyboard modifiers to build your cuts-only video.
Managing Your Projects in Adobe Premiere Pro CS5
By Adobe Creative Team
Dec 11, 2010
This excerpt from Adobe Premiere Pro CS5 Classroom in a Book shows you how to use the Project Manager, a slick project-management tool that reduces a project’s storage size and consolidates the files associated with a project.
Selecting Settings, Adjusting Preferences, and Managing Assets in Adobe Premiere Pro CS5
By Adobe Creative Team
Dec 11, 2010
This excerpt from Adobe Premiere Pro CS5 Classroom in a Book shows you how to manage your assets from within the Project panel and delve into the Adobe Media Browser, a full-scale asset browser that works with all the media types you may need to import into Adobe Premiere Pro CS5.
Building 3D Objects in Adobe After Effects CS5
By Adobe Creative Team
Dec 10, 2010
This excerpt from Adobe After Effects CS5 Classroom in a Book shows you how to create and control basic 3D layers.
Using 3D Features in Adobe After Effects CS5
By Adobe Creative Team
Dec 10, 2010
This excerpt from Adobe After Effects CS5 Classroom in a Book shows you how to add lights, effects, reflections, and other elements to a composition. In doing so, you’ll learn how to use additional 3D features available in Adobe After Effects.
Using the Roto Brush tool in Adobe After Effects CS5
By Adobe Creative Team
Dec 10, 2010
This excerpt from Adobe After Effects CS5 Classroom in a Book shows you how to use the new Roto Brush tool in After Effects CS5, which is much faster than conventional rotoscoping, and for movies with complex backgrounds, much easier than keying.
Working with Masks in Adobe After Effects CS5
By Adobe Creative Team
Dec 10, 2010
This excerpt from Adobe After Effects CS5 Classroom in a Book shows you how to create a mask using the Pen tool, edit a mask, feather a mask edge, create a vignette, and more.
Connecting Your TV to the Internet: Peachpit's Guide to Set-Top Boxes
By Ryan Faas
Nov 29, 2010
Apple TV? Google TV? Roku? Ryan Faas examines the top options that should be on your list of possibilities for streaming audio and video to your home TV, pointing out the pros and cons of each system.

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