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Creative Thinking in Photoshop: A New Approach to Digital Art

  • By Sharon Steuer
  • Published Apr 17, 2002 by New Riders. Part of the Voices That Matter series.
    • Copyright 2002
    • Dimensions: 8" x 10"
    • Pages: 240
    • Edition: 1st
    • Book
    • ISBN-10: 0-7357-1122-4
    • ISBN-13: 978-0-7357-1122-8

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  • Description
  • Extras
  • For Instructors
  • Reviews
  • Sample Content

Flex your creative muscles by exploring how Photoshop can unlock your creative potential. Traditional artists porting their skills to new media and inexperienced digital artists need to learn how to approach their work using digital tools--especially Photoshop--rather than relying solely on paper and pencil methods of conceptualization. While there are books that walk users through tool sets or recipes for effects, none of these books focus on enhancing the creative process. Steuer explores the many facets of the creative process and underscores how they can be incorporated into the workflow of the digital artist.

Instructor Resources


Digital Imaging .sit file

Digital Imaging .zip file

Digital Painting .sit file

Digital Painting .zip file

For updates and additional info check out Sharon Steuer's website for educators: www.ssteuer.com/edu


Customer Reviews

22 of 23 people found the following review helpful
3.0 out of 5 stars Sharon is definitely a noteworthy artist., January 31, 2004
By 
David M (USA Chandler, AZ) - See all my reviews
This review is from: Creative Thinking in Photoshop: A New Approach to Digital Art (Paperback)
I bought Creative Thinking in Photoshop after seeing Sharon Steuer on The Screen Savers. I must say that I am certainly impressed by Sharon's artistic ability, but after reading a few chapters I began to seriously doubt her ability to put into words exactly what process she took to reach the final result. There are of course plenty of screen captures showing and noting important steps in the process, but after careful inspection and recreation attempts, I was unable to reproduce her results using her directions. I instead had to carefully study the images and use my knowledge of photoshop to see what settings she really did use on the filters she mentions.

I certainly am not the type of person that would willingly insult any person, no matter how big the opportunity or reward may be. Instead I hope to inform readers and artists interested in this book that if they need step by step instructions for filters and tools in photoshop, you may be looking for something a little less... Read more

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41 of 47 people found the following review helpful
2.0 out of 5 stars Not Impressed, March 5, 2003
By A Customer
Amazon Verified Purchase(What's this?)
This review is from: Creative Thinking in Photoshop: A New Approach to Digital Art (Paperback)
I'm not sure how this book got 5 Star reviews from everyone who's reviewed it thus far, but to each his own, I suppose. This book wasn't what I was expecting. I thought I'd see some great photoshop art, learn some neat photoshop tricks, but I'm really not impressed by anything I've seen so far.

The artist takes photographs and uses various filters and photoshop tools to give them a painterly feel and to look more "artsy". Or she takes her own drawings and uses photoshop brushes to give them a more digital feel. Maybe this book would be fun for fine artists who want to play around with their images on the screen for the first time, but as a digital artist I haven't seen anything new or noteworthy in this book. I'm actually surprised that this was printed so recently (2002) because the artwork actually has that dated feel of digital art from the early 90s.

For a really beautiful Photoshop book that explores the artistic capabilites of Photoshop, read: "The Art of... Read more
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17 of 18 people found the following review helpful
5.0 out of 5 stars Learn Photoshop the natural way, April 28, 2002
By A Customer
This review is from: Creative Thinking in Photoshop: A New Approach to Digital Art (Paperback)
I have taught hundreds of hours of Photoshop classes. This book is a terrific way to learn the program. Instead of memorizing: go to this menu, click this icon, move this here, Ms. Steuer shows how to "think" in Photoshop. How to look at the program the same way an artist would look at a blank canvas.

In just ten minutes leafing through the book I was inspired to try several different projects. Not because I memorized a new command, but because I was looking at the program in a whole new way.

Chapter 8, on collaborating, is well worth the entire cost of the book. Watching Ms. Steuer and her photographer friend work together is an amazing experience. Just that chapter alone will change how you approach Photoshop.

It's a great way to learn Photoshop.

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Online Sample Chapter

Creative Problem Solving Using Photoshop Layers

Table of Contents



Foreword.


Introduction


1. Compositing and the Creative Process.

The Basics of the Compositing Process. Keeping the Old While Bringing in the New. Composing in Pieces. Seaming a Sequence of Images. More Exploration Suggestions.



2. Creative Problem Solving Using Layers.

Last Minute Scaling. Touching Up Darks and Lights and Equalizing Value. Unifying Color and Patching Together Missing Pieces. More Exploration Suggestions.



3. Improvising with Color Using Layers.

Basic Coloring with Layers. Experimenting with Layers and Blending Modes. Planned Improvisations with Color. Continued Improvisations with Color. More Exploration Suggestions.



4. Radical Ways to Generate New Ideas from Older, or “Finished” Work.

Radically Transforming an Image. Reinterpreting an Existing Image. More Exploration Suggestions.



5. Nonlinear Creativity.

Recovering Lost Stages. Combining Multiple Versions or Similar Images. Stacking and Masking Variations. More Exploration Suggestions.



6. Compositional Brainstorming.

Brainstorming New Directions. Creating an Imaginary Place. Inserting Content into a Composition. More Exploration Suggestions.



7. Creating Monotypes from Digital Images.

Creating Your Digital Templates. Preparing Your Work Area. Painting and Printing the Plate. Some Final Notes on Materials. More Exploration Suggestions.



8. Collaborating with Other Artists or Photographers.

Establishing a Collaborative Relationship. Different Ways of Working Collaboratively. Collaborative Projects with Photoshop. More Exploration Suggestions.



9. Simulating Installations of Your Work.

Overview of the Issues to Consider. Improvising an Effect with Your Image. Installing Three-Dimensional Images. More Exploration Suggestions.



Appendix. Arranging Your Workspace.

General Computer Setup. Graphics Tablets. Saving and Naming Conventions. Undos, the History Palette, and Keeping a Log. Ending with the Prints. For More Help with Photoshop. Techniques at a Glance.



Index.

 
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