- Settings and Features to Make Great Portraits
- Poring Over the Picture
- Poring Over the Picture
- Using Aperture Priority Mode
- Lighting is Everything
- Focusing: The Eyes Have It
- Composing People and Portraits
- The Portrait Picture Style for Better Skin Tones
- Tips for Shooting Better Portraits
- Chapter 4 Challenges
Tips for Shooting Better Portraits
Before we get to the challenges for this chapter, I thought it might be a good idea to discuss some tips that don't necessarily have anything specific to do with your camera. There are entire books that cover things like portrait lighting, posing, and so on. But here are a few pointers that will make your people photos look a lot better.
Avoid the Center of the Frame
This falls under the category of composition. Place your subject to the side of the frame (Figure 4.16)—it just looks more interesting than plunking them smack dab in the middle.
Figure 4.16 An off-center image creates a pleasing composition.
Choose the Right Lens
Choosing the correct lens can make a huge impact on your portraits. A wide-angle lens can distort the features of your subject, which can lead to an unflattering portrait. Select a longer focal length if you will be close to your subject (Figure 4.17).
Figure 4.17 I used a long focal length to keep my distance from this couple while taking their picture.
Use the Frame
Have you ever noticed that most people are taller than they are wide? Turn your camera vertically for a more pleasing composition (Figure 4.18).
Figure 4.18 A vertically composed image is a good choice for many portraits.
Sunblock for Portraits
The midday sun can be harsh and can do unflattering things to people's faces. If you can, find a shady spot out of the direct sunlight (Figure 4.19). You will get softer shadows, smoother skin tones, and better detail. This holds true for overcast skies as well. Just be sure to adjust your white balance accordingly.
Figure 4.19 A shady area will give you beautiful, diffused lighting for portraits.
Keep an Eye on Your Background
Sometimes it's so easy to get caught up in taking a great shot that you forget about the smaller details. Try to keep an eye on what is going on behind your subject so they don't end up with things popping out of their heads (Figure 4.20).
Figure 4.20 I positioned this model so that there were no distracting elements directly behind her.
More than Just a Pretty Face
Most people think of a portrait as a photo of someone's face. Don't ignore other aspects of your subject that reflect their personality—hands, especially, can go a long way toward describing someone (Figure 4.21).
Figure 4.21 Find other ways to photograph people—this image of children holding hands tells a story without having to show their faces.
Get Down on Their Level
If you want better pictures of children, don't shoot from an adult's eye level. Getting the camera down to the child's level will make your images look more personal (Figure 4.22).
Figure 4.22 Children look their best when photographed from their level.
Don't be Afraid to Get Close
When you are taking someone's picture, don't be afraid of getting close and filling the frame (Figure 4.23). This doesn't mean you have to shoot from a foot away; try zooming in and capturing the details.
Figure 4.23 Fill the frame to focus the attention on the person rather than their surroundings.
Find Candid Moments
Sometimes the best images are the ones that aren't posed. Find moments when people are just being themselves (Figure 4.24) and use a faster shutter speed to capture expressions that happen quickly (Figure 4.25).
Figure 4.24 Sometimes the best photos are the ones that weren't planned—find these moments in your models and you can capture their true selves.
Figure 4.25 A fast shutter speed will help to capture moments that pass quickly.
Shoot High and Low
Portraits don't always need to be photographed at eye level. Try moving up, down, and all around. Shooting from a high angle is a flattering way to photograph most people (Figure 4.26), and sometimes it can be fun to get down on the ground and shoot up at your subject (Figure 4.27).
Figure 4.26 Try photographing portraits from different angles and perspectives.
Figure 4.27 I shot this from a lower perspective to include the kite in the image without introducing any distracting background elements.