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How to Optimize Projects in Adobe After Effects CS5
Nov 10, 2010
This chapter examines how image data flows through an After Effects project in close detail. It's full of the kind of information that will help you make the most of After Effects.
Editing with Avid Media Composer 5: Fine-Tuning the Sequence
Oct 26, 2010
Learn how to fine-tune your rough cut in Avid Media Composer 5, including moving a transition point between two shots, fine-tuning shot length, smoothing the continuity of movement from shot to shot, creating split edits, and editing the picture to a musical beat or establishing other relationships between picture and sound.
Shooting and Capturing Great Video Assets
Sep 14, 2010
This excerpt from Adobe Premiere Pro CS5 Classroom in a Book offers tips for shooting great video and capturing video clips.
Top Five Features in Adobe After Effects CS5
Jul 19, 2010
Mark Christiansen, author of Adobe After Effects CS5 Visual Effects and Compositing Studio Techniques (September, 2010), points out his favorite changes in the latest version of the program.
Five Best New Features of Adobe® After Effects® CS5
Jun 15, 2010
Rob Birnholz and Ian Robinson, contributing authors to Motion Graphics with Adobe Creative Suite 5 Studio Techniques, take a break to discuss their top five favorite new features of Adobe After Effects CS5. Whether you use After Effects for hard-core compositing or you’re a designer looking to push your projects to the next level, there’s something new for everyone.
Apple Pro Training Series: Final Cut Pro 7 Quick-Reference Guide: Ingest
May 12, 2010
Brendan Boykin shows you the three ways you can bring media into Final Cut Pro.
Indexing Photos Using Faces and Places in Aperture 3
Apr 28, 2010
How can you precisely determine where a photo was taken or who is in the photo? Thankfully, there are easy and engaging ways in which Aperture can help you.
Adobe® After Effects® CS5 Classroom in a Book: Adding Deform Pins
Apr 17, 2010
Deform pins are the main component of the Puppet effect. This excerpt from Adobe® After Effects® CS5 Classroom in a Book shows you how to add deform pins.
Adobe® Premiere® Pro CS5 Classroom in a Book: Getting to Know Your Workspace
Apr 14, 2010
Get a brief tour of the Adobe® Premiere® Pro CS5 video-editing workspace and learn how to customize it so it works best for you.
Q&A with the Authors of From Still to Motion
Mar 2, 2010
Peachpit talks to James Ball, Robbie Carman, Matt Gottshalk, and Richard Harrington about their new book and DVD, From Still to Motion, what photographers struggle with the most when learning video, and how to stay up to date on the latest in the world of video.
5 Documentary Filmmaking Tips from "American Teen"
Feb 9, 2010
Ron Dawson points out techniques used in Nanette Burstein’s award-winning film that you can apply to your own video creation.
Use iMovie to Share Videos on YouTube, MobileMe Gallery, and iPhone
Feb 1, 2010
John Tollett shows how to use iMovie to share your videos with your pals worldwide.
Q&A with Michael Wohl
Jan 25, 2010
Michael Wohl talks about the best updates to Final Cut Pro 7, the most exciting developments in the world of film and video editing, and what it takes to be a good editor.
The Film Editing Room Handbook: Shooting
Jan 20, 2010
This chapter covers a brief history of video editing, three primary workflows, dealing with metadata, and preparing, synching and screening dailies.
Use iMovie's "Snap to Beats" Feature to Make a Music Video
Jan 11, 2010
Your Mac's iMovie application provides a fast, easy (and free) way to create music videos out of footage you already have on hand. John Tollett shows how it's done.
Q&A with Norman Hollyn
Dec 14, 2009
Norm Hollyn chats with Peachpit about his new book, The Film Editing Room Handbook, including how he broke into film editing, the danger in chasing the technical cutting edge, and where he gets his inspiration.
Creating a Heads-Up Display with Premiere Elements 7
Dec 8, 2009
Continuing his series on enhancing your Premiere Elements 7 movies with cool custom effects, Paul Ekert shows how to create a realistic Heads-up-Display using your own video content.
Replacing a TV Screen with Premiere Elements 7
Nov 30, 2009
Continuing his series on enhancing your Premiere Elements 7 movies with cool custom effects, Paul Ekert shows how to replace a TV screen with your own video content.
Working with Settings, Destinations, and Actions in Compressor 3.5
Nov 24, 2009
This lesson will detail targets, which consist of settings and destinations, and it will also cover actions that Compressor can apply after processing completes.
Final Cut Pro Power Skills: Working in the Application
Nov 16, 2009
Based on how well you understand the Final Cut Pro interface, it can determine whether we are happy or frustrated, productive or panicking. Larry Jordan offers dozens of Power Skills you can use to turn yourself into an interface master.

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