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Digital Audio, Video

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Final Cut Pro Power Tip: Setting a Position Keyframe in LiveType
Apr 21, 2006
The beauty of LiveType is that you can create dazzling text animation without a single keyframe. Larry Jordan shows the control that's possible when you start adding keyframes.
Final Cut Pro Power Tip: Applying Transitions to Multiple Clips in One Track
Apr 14, 2006
Larry Jordan knows the trick for applying transitions to multiple Final Cut Pro clips simultaneously. Amazingly, he's willing to share the secret!
Podcasting Made Easy with GarageBand 3, iWeb, and .Mac
Apr 14, 2006
If you're worried that podcasting seems too complicated, take heart. Apple's iLife '06 makes if fun and easy to put your voice out there. Find out how easy it is with this step-by-step guide from expert Ryan Faas.
Use Flash Behaviors and ActionScripting to Control Audio Playback
Apr 14, 2006
One of the great strength of Flash is its capability to consistently and reliably play audio across a wide variety of computer platforms and environments. According to James Gonzalez, this capability might be the best reason to use Flash for projects in which sound is an important component. Read on to learn how to use Flash sound behaviors and ActionScript to control audio playback in your Flash projects.
Final Cut Pro Power Tip: Keeping Files Under Control with Render Manager
Apr 7, 2006
Render files eat disk space surprisingly quickly. But with your Final Cut Pro files and folders set up according to Larry Jordan's advice, you can use the Render Manager to recover that lost space in a trice. (Maybe even half a trice!)
Importing Media Clips in Avid Liquid 7 for Windows
Apr 7, 2006
Importing media directly into your computer is the most direct way you have of bringing media clips such as pictures, music, animations, and other media types into your project. This chapter will help you learn to import media into your Liquid project.
Setting Up a Simple DVD in DVD Studio Pro 4
Apr 7, 2006
This lesson focuses on the first step in building one of the most common types of DVD on the market. You'll learn how to create a single-play DVD that contains only a video track and its associated audio. You will set the DVD to play automatically when it is put into a DVD player. To allow users to skip through the video, you will also set chapter markers by importing them from a list.
Capturing and Adding Footage in Premiere Elements 2 for Windows
Mar 31, 2006
Before you can begin editing, you need to get the video from a tape to your hard drive—a process known as video capture. In Premiere Elements, all the controls you'll need for capture are integrated into an easy-to-use Capture panel. The Capture panel lets you control a DV camera or deck, see and hear the video, and naturally, transfer the parts you want to your computer for editing in Premiere Elements. This chapter will help you get started with this process.
Introduction to Flash Video Encoder
Mar 31, 2006
The new Flash Video Encoder is a separate application that can significantly improve your Flash video production workflow by providing an easy way to convert video files into the Flash Video (FLV) format and can perform batch processing of video files. With these new capabilities, Flash has developed into an excellent platform for delivering video and many other types of media. James Gonzalez lets you in on ways to encode video using this great new tool.
Playing Music and More in iTunes
Mar 31, 2006
iTunes gives you multiple ways to locate and play songs. You may already know some of them; if you read this chapter, however, you'll likely pick up some new tricks, as well as grasp some nuances of iTunes that may save you confusion and frustration.
Final Cut Pro Power Tip: Creating a Glow Behind Text
Mar 24, 2006
The outline text generator in Final Cut Pro has to be the ugliest thing since the invention of ducklings. But Larry Jordan explains how to turn it into a swan of beauty with just a little tinkering.
Free Audio Tools that Work with Flash
Mar 24, 2006
One of Flash's many strengths is its capability to consistently and reliably play back sound across a wide variety of computer platforms and environments. Flash has a comprehensive set of utilities and tools to work with audio, but there are several free, dedicated audio tools that can do an even better job. James Gonzalez reviews several free audio tools that he has used professionally and with his students to streamline audio work with Flash.
Setting Up Your Digital Audio Equipment
Mar 24, 2006
Whether your audio environment is a home studio, recording studio, DJ booth, or bedroom, you can set it up to produce a clean sound and to function as an efficient workspace, as long as you can decipher a bit of technical jargon. Manufacturers and audio pros tend to assume you have the knowledge and experience they have, even when you don't, but getting a grasp of the basics isn't difficult. This chapter will help you do just that.
Final Cut Pro Power Tip: Creating a Compressor Droplet
Mar 17, 2006
Apple's Compressor application makes compressing video files easy, but Larry Jordan knows a way to hurry up that process. Create a "droplet" with your favorite formatting, and you can compress a file with drag-and-drop speed.
Working with a Final Cut Express 2 Project
Mar 17, 2006
In this lesson, you will open the Final Cut Express program, identify and work with the elements of your editing project, organize those elements, and begin working within the Final Cut Express editing interface.
Final Cut Pro Power Tip: Changing the Default Transition
Mar 10, 2006
There’s nothing wrong with the default video transition in Final Cut Pro, except that it’s too long. Boring! Larry Jordan shows you how to change the default into your favorite transition and make it accessible with a keyboard shortcut.
Extend Your Wireless Network and Play Tunes with AirPort Express
Jan 27, 2006
With her AirPort Express, Maria Langer has figured out a way to get some phenomenal sound from some of that ancient Mac equipment collecting dust in her living room (along with the more modern stuff, of course).
Getting Video Onto Your iPod
Jan 27, 2006
Get an iPod for Christmas? Music is great, but what about the video? In this article Matthew David shows you where to go to fill your iPod to the max with video.
Gathering and Editing Video in Final Cut Pro
Jan 13, 2006
With the advent of nonlinear editing systems, editing is as much a technical art as it is aesthetic. Understanding some basic video approaches will not only improve your technical aptitude, but also allow you the freedom to concentrate on the art of editing. In this lesson, you'll observe the workflow of a typical video. Your project specifications may vary, but the principles of video workflow still hold. And since Final Cut Pro is adaptable, it will accommodate different approaches seamlessly.
DV Technology and the Camcorder
Dec 30, 2005
This chapter covers the basics of shooting digital video, from the various digital video cameras available to the settings you should use to get the best quality captures from your camera.

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