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Attitude Adjustment: Camera Raw's Adjustment Tools
By Scott Kelby
Aug 27, 2012
Scott Kelby talks about the adjustment tools in Camera Raw, including dodging and burning, retouching portaits, fixing skies, fixing color problems, reducing noise, special effects using Camera Raw, and some Photoshop killer tips.
A Quick Tour of Adobe Photoshop Lightroom 4
By Adobe Creative Team
Aug 23, 2012
In this lesson, you’ll get an overview of how Lightroom works. You’ll familiarize yourself with the workspace, panels, tools, and controls, as you explore the Library, Develop, Map, Book, Slideshow, Print and Web Modules.
Adding Text to a Print Layout in Adobe Photoshop Lightroom 4
By Scott Kelby
Aug 23, 2012
If you want to add text to your print layouts, it’s pretty easy, as well, and like the Web and Slideshow modules, you can have Lightroom automatically pull metadata info from your photos and have it appear on the photo print, or you can add your own custom text (and/or Identity Plate) just as easily. Here’s what you can add, and how you can add it.
Creating a Photo Book in Adobe Photoshop Lightroom 4
By Adobe Creative Team
Aug 23, 2012
Whether it’s produced for a client or as a professional portfolio, designed as a gift or simply to preserve precious memories, a photo book makes a great way to share and showcase your images. The Book module makes it easy to design beautiful, sophisticated book layouts, and then publish them without leaving Lightroom.
Creating and Using Multiple Catalogs in Adobe Photoshop Lightroom 4
By Scott Kelby
Aug 23, 2012
Scott Kelby shows you how to create a second catalog in Lightroom so you can keep your catalog sizes manageable and Lightroom running at full speed.
Creating Your Own Custom File Naming Templates in Adobe Photoshop Lightroom 4
By Scott Kelby
Aug 23, 2012
Scott Kelby shows you how to create your own custom file naming template—just the way you want it—when importing photos into Adobe Photoshop Lightroom 4.
Creating Your Own Custom Metadata (Copyright) Templates in Adobe Photoshop Lightroom 4
By Scott Kelby
Aug 23, 2012
Scott Kelby explains how to set up your own custom metadata template, so you can easily and automatically embed your own copyright and contact information right into your photos as they’re imported into Lightroom.
From Desktop to Laptop: Syncing Catalogs on Two Computers in Adobe Photoshop Lightroom 4
By Scott Kelby
Aug 23, 2012
Scott Kelby shows you how to take the edits, keywords, metadata, and of course the photos themselves from your laptop at your location shoot and add them to the Lightroom catalog on your studio computer. Lightroom does all the hard work for you, you just have to make a few choices about how Lightroom handles the process.
Getting Photos from Your Camera into Lightroom
By Scott Kelby
Aug 23, 2012
Scott Kelby explains how to import photos into Adobe Photoshop Lightroom 4 from your camera’s memory card.
Introducing the Workspace in Adobe Photoshop Lightroom 4
By Adobe Creative Team
Aug 23, 2012
Whether you prefer to use menu commands, keyboard shortcuts, or buttons and sliders—whether you use a small screen or a large one, one monitor or two—you can customize the flexible Lightroom workspace to suit the way you work. Customize each of the modules individually so that you always have your favorite tools and controls at hand, arranged just the way you like them.
Printing Individual Photos in Adobe Photoshop Lightroom 4
By Scott Kelby
Aug 23, 2012
Scott Kelby shows you how the built-in templates in Lightroom's Print module make the printing process not only easy, but also fun.
Seeing Befores and Afters in Adobe Photoshop Lightroom 4
By Scott Kelby
Aug 23, 2012
Scott Kelby shows you how to display a before and after image, a process that gives you a lot of flexibility to see images the way you want to see them.
Sorting Your Photos Using Collections in Adobe Photoshop Lightroom 4
By Scott Kelby
Aug 23, 2012
Scott Kelby introduces a sorting workflow that’s fast and efficient, and helps you get to the real goal of sorting, which is finding the best shots from your shoot—the “keepers”—the ones you’ll actually show your client, or add to your portfolio, or print.
Virtual Copies: The No Risk Way of Experimenting in Adobe Photoshop Lightroom 4
By Scott Kelby
Aug 23, 2012
Scott Kelby shows you how to create virtual copies in Adobe Photoshop Lightroom 4, which don’t take up space and allow you to try different looks without the overhead.
Keywords and Keyword List Panels in Adobe Photoshop Lightroom 4
By Martin Evening
Aug 18, 2012
Keywording offers one of the easiest and most flexible ways to annotate your photos, though you would do well to rein in some of that flexibility by applying a certain degree of discipline and consistency to the way you keyword your images in order to gain the maximum benefit.
Manual Black and White Adjustments in Adobe Photoshop Lightroom 4
By Martin Evening
Aug 18, 2012
In the following steps, Martin Evening shows how he was able to improve upon the default Auto B&W panel setting and thereby maximize the contrast in a photograph.
Opening and Editing Images in Photoshop
By Martin Evening
Aug 18, 2012
Martin Evening shows you how to open and edit an already rendered pixel image outside of Lightroom in an image editing program such as Photoshop.
Publishing Your Images from Lightroom with Just Two Clicks
By Scott Kelby
Aug 18, 2012
Scott Kelby shows you how to use Lightroom's Publish Services. If you take just a few minutes to set this up now, it’ll save you a load of time whenever you want to post images online, or save images to your hard drive or external hard drive.
Soft Proofing for Print Output in Adobe Photoshop Lightroom 4
By Martin Evening
Aug 18, 2012
Martin Evening shows you how to preview how your prints are likely to look prior to printing them with soft proofing, and why, historically, what you see isn't always what you get.
The HSL / Color / B&W Panel in Adobe Photoshop Lightroom 4
By Martin Evening
Aug 18, 2012
Martin Evening shows you how to use the HSL / Color / B&W Panel in Adobe Photoshop Lightroom 4 to control Hue, Saturation, and Luminance over eight color band ranges.

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