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Digital Audio, Video

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The Best Hidden Features in iMovie for iOS
By Jeff Carlson
Oct 2, 2014
If you haven’t opened iMovie for iOS recently (or if you’ve only dipped your toes), you’ll be surprised at what Apple’s mobile video editor can do. Jeff Carlson, author of iPad and iPhone Video: Film, Edit, and Share the Apple Way, uncovers some of the best hidden or hard to find features of the latest version.
How to Improve Video on iOS Before Editing
By Jeff Carlson
Sep 25, 2014
Just because you’re shooting video using an iPhone, iPad, or iPod touch doesn’t mean you have to settle for shaky or drab video. Jeff Carlson, author of iPad and iPhone Video: Film, Edit, and Share the Apple Way, spotlights tools for improving video before you share it or edit it in iMovie.
Saving Assets with Adobe Generator
By Brie Gyncild, Andrew Faulkner
Sep 16, 2014
This excerpt from Adobe After Effects CC Classroom in a Book (2014 release) shows you how Adobe Generator can easily generate a JPEG, PNG, or GIF image from the contents of a layer or layer group in a Photoshop file.
Retiming Clips in Adobe Premiere Pro Professional CC (2014 release)
By Maxim Jago
Sep 3, 2014
Maxim Jago reviews fixed speed changes, the time-remapping feature, and some other options that let you make clip playback speed, in this excerpt from Adobe Premiere Pro CC Classroom in a Book (2014 release).
The Art of the Documentary: Lauren Lazin on Making Television With a Conscience
By Megan Cunningham
May 29, 2014
Megan Cunningham, author of The Art of the Documentary: Fifteen Conversations with Leading Directors, Cinematographers, Editors, and Producers, 2nd Edition, profiles and interviews Lauren Lazin, an MTV executive who has produced, written and directed a wide array of documentaries.
Color Correction in Nuke
By Ron Ganbar
Apr 15, 2014
Nuke is a very advanced system that uses cutting-edge technology and theory to work with color. Therefore, it is important to understand Nuke’s approach to color so you understand color correcting within Nuke.
Editing with Blade Speed in Final Cut Pro X 10.1
By Brendan Boykin
Mar 26, 2014
The variable speed change applies at least two different playback rates within a single clip. This effect requires dividing the clip into segments, one for each speed rate. Brendan Boykin shows you how in this excerpt from Apple Pro Training Series: Final Cut Pro X 10.1: Professional Post-Production.
Making the First Edit in Final Cut Pro X 10.1
By Brendan Boykin
Mar 20, 2014
In this excerpt from Apple Pro Training Series: Final Cut Pro X 10.1: Professional Post-Production, learn how to add and rearrange clips within a primary storyline; Ripple, Roll, and Slip trim clips; blade, replace with gap, ripple delete, and join through edit; perform connect edits; create and edit in a connected storyline; adjust audio levels; and share the project to a media file.
Professional Audio Techniques for Adobe Premiere Pro
By Luisa Winters
Feb 26, 2014
This chapter will help you start to generate great audio in your program. Because you don’t always get to work with perfect audio, this chapter also features a section on how to fix common audio problems using Adobe Premiere Pro and Adobe Audition CC. From setting up your working environment to adjusting levels to adding effects, you’ll work with audio just like the pros do.
Creative Grading Techniques for Film and Video: Blurred and Colored Vignettes
By Alexis Van Hurkman
Jan 7, 2014
Alexis Van Hurkman shows you how to use a shape to add a combination of color and/or blur to the outer border of an image.
Top Ten Tips for More Convincing Lighting and Rendering
By Jeremy Birn
Dec 17, 2013
Author Jeremy Birn shares ten tips adapted from his new book Digital Lighting & Rendering, Third Edition on creating more convincing lighting and rendering.
A Photographer's Gear Guide for Expanding to Video
By Jefferson Graham
Dec 9, 2013
Are you a photographer who is interested in getting into video? Jefferson Graham, author of Video Nation: A DIY guide to planning, shooting, and sharing great video from USA Today's Talking Tech host, gets you started with a list of his favorite video gear.
Lighting Environments and Architecture in Animation
By Jeremy Birn
Nov 26, 2013
Direct light from the sun, soft illumination from the sky, and indirect light blend their colors and tones in subtle ways. This chapter discusses how you can use these three elements to simulate natural light outdoors and indoors, by day or by night.
Organizing Your Content in Adobe Premiere Elements 12
By . Adobe Creative Team
Nov 21, 2013
Fast and efficient movie production requires organization before and during the edit. When you’re working with content from multiple sources and dates, Adobe Organizer is a very powerful tool for categorizing content and quickly finding video, audio clips, and pictures to use in your projects.
Adjusting the Layers and Creating a Track Matte in Adobe After Effects CC
By Adobe Creative Team
May 15, 2013
Learn how to precompose layers, create the track matte, and add motion blur in Adobe After Effects CC.
Building a Rough Cut in Final Cut Pro X
By Diana Weynand
Mar 13, 2013
In this lesson you’ll build a rough cut using the source media you’ve imported. To begin, you will create a new project, and mark clips you’ve placed in Keyword Collections. Then, you’ll choose your Favorite clips and edit them into the project to create a primary storyline.
Making an Online Video for Your Small Business
By Jefferson Graham
Feb 14, 2013
From vlogging to elaborate online commercials, there are many opportunities to showcase your small business through online video. Jefferson Graham explains how to take advantage of this major opportunity for exposure,
Importing Media into Adobe Premiere Pro
By Richard Harrington, Robbie Carman, Jeff I. Greenberg
Nov 29, 2012
Adobe Premiere Pro offers different paths to importing including an Import command, Media Browser, and Adobe Dynamic Link. This chapter discusses the details of how to import media into Adobe Premiere Pro.
Author Talk: Richard Harrington and Robbie Carman on Making Video with Apple Final Cut Studio and Adobe Creative Suite
By Nancy Aldrich-Ruenzel, Robbie Carman, Richard Harrington
Nov 26, 2012
Richard Harrington and Robbie Carman are both Apple Certified Trainers and have extensive backgrounds in video production. They talk with publisher Nancy Aldrich-Ruenzel about their book Video Made on a Mac: Production and Postproduction Using Apple Final Cut Studio and Adobe Creative Suite, explain who it is written for, and reveal why the Mac is their platform of choice for professional endeavors.
More Quick Tips to Ease Your Jump to Adobe Premiere Pro CS6
By Jeff I. Greenberg
Nov 15, 2012
Jeff Greenberg, coauthor of An Editor's Guide to Adobe Premiere Pro, Second Edition, shares more tips to help you adjust to working in Premiere Pro and maximize the results you get from familiar editing features.

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